Archive for June 2010

How to Reinstall Windows XP

If you’ve had a lot of odd problems crop up on your computer that were impossible to fix, your computer has slowed down significantly, or you picked up a serious virus that you can’t seem to beat, you might want to consider reinstalling Windows. During this process you can also reformat your hard drive, which deletes everything and leaves a clean drive. Depending on your usage you may want to consider doing regular reformatting every one or two years. Luckily, reinstalling Windows is a fairly easy process.

Step 1: Create a backup
Reinstalling Windows can cause you to lose all your files, including personal files usually kept under C:\Documents and Settings. It’s important to back up anything you don’t want to risk losing, including personal files and any software you can’t easily download and replace. Back up your files by burning them to CDs or DVDs, or by using an external hard drive, which can be plugged into any USB port. External hard drives are getting cheaper every day and are a great investment.

Step 2: Boot from your Windows XP CD
Find your Windows XP CD that came with your computer, and insert it into your CD drive. When you restart your computer, you should be given the option to “boot from CD.” Choose this option by pressing “Enter.”

If you were not given this option, you may need to change your BIOS settings. Restart your computer, and watch for “BIOS Setup” while it boots. Press the key indicated to go to the menu. When you get to the BIOS menu, change the “boot order” and make sure booting from the CD drive is at the top.

If you can’t locate your Windows CD, it’s also possible to reformat and reinstall Windows from your hard drive. Simply locate the file called “winnt32.exe” under C:\i386 and double click on it.

Step 3: Just follow the instructions
Windows will walk you through reinstalling with simple instructions. You may be able to choose to preserve your files and settings, but as long as you backed everything up its recommended you go ahead and wipe everything and reformat your drive. When you are prompted to choose a partition, choose whichever is the largest, usually “C” drive. When you are prompted, indicate that you want to reformat your drive. The reformatting can take a couple of hours.

Step 4: Reinstall Windows
Next, follow the directions you are given to reinstall Windows XP and complete the process. You may be prompted for your product license key which is located on the CD case or on a sticker on your computer.

Step 5: Updates and reconfiguration
Be sure to update your drivers and Windows files as needed. To see your drivers, right click on “My Computer,” choose properties, hardware, and click on “Device Manager.”

You will also need to set up your internet connection again by right-clicking on “My Network Places” and choosing “Create a new connection.”

Step 6: Restore data
Replace all the data you stored on your CD, DVD, or external hard drive.

Ask A Photographer: Lloyd Chambers

Who or what influenced you to get into photography

A love of the outdoors and a natural visual curiosity caused me to pick up a camera when I was a teenager.   I was self-taught (sometimes not so well!), working in my high school darkroom, shooting a Minolta XD-5 back in the 80′s.   As a student at Stanford University, I managed the student darkroom there for several years, where I learned that photography is more fun than managing a photography facility!    Today’s printers are such a relief versus the darkroom and chemicals, even though watching a latent image emerge on paper is fascinating.

Where do you get your creative inspiration from?

Photography for me is an immersion experience, especially in the outdoors.   I prefer to shoot alone, so as to have no distractions, to tune into the spirit of  a place, especially in the desert or mountains.   Creativity flows naturally when my mind is free of artificial distractions.  The same applies even in the city, just in a different way. I look for patterns, relationships, and those interest me.

What type of camera do you use most and do you prefer digital or film cameras?

I use the Nikon D3x the most, but cameras are tools, and the Nikon D3s, Leica M9 and Canon 5D Mark II are all superb in their own way.  But my default camera is the D3x, for its unbeatable combination of image quality and resolution and ease of use.  I often choose a camera based on the lens I want to shoot, such as the 50mm f/0.95 Noctilux-M, for unique effects, so the camera is thus an accessory.

What is your next planned equipment purchase?

The Nikon 24mm f/1.4G, one that focuses properly (see my review)!   Also the new Leica 35mm f/1.4 Summilux-M ASPH for the Leica M9.  I already have most all of  the Zeiss ZF.2 / ZE lenses for Nikon and Canon, which are what I shoot most of the time.

What do you see as the next evolution in digital photography in terms of trends and new products?

Megapixels are being de-emphasized, though I expect that Canon will offer 30MP or so sometime soon.  I see a move to more usable image quality:  wider gamut color, wider dynamic range, lower noise, and a move towards “true color”.   Video is coming on strong, the convergence is well under way.   Cameras will incorporate more and more in-camera processing of various kinds that had to be done in the computer up to now: I predict we’ll see in-camera HDR (high dynamic range), for example.     Increased emphasis on lens performance is coincident with all the above, but sadly, quality control among the majors has become worse than ever, which means that top optics don’t deliver what they should.

Could you share a favorite recent image you took and tell us a little about it?

Landscape photography is an area that always looks the same, so I’ve been experimenting with new approaches, such as ultra-wide-aperture “portraits”.  This example was shot high in the White Mountains at f/0.95 using the Leica M9 and the Noctilux-M ASPH 50mm f/0.95.    The effect become more subtle with increasing distance, but can be striking at closer range.  The vignetting and very shallow depth of field really focus attention on the subject much better than an image made at f/8, while still communicating a great deal of environmental information.

What are you favorite websites or blogs that you frequent?

I’m so busy that I mainly skim most sites these days for news.  When I have time, I read TheOnlinePhotographer.com.

Any advice or tips for someone wanting to become a photographer or to improve their photography?

For those looking to enjoy photography without paying the bills with it:  make yourself shoot with no more than three fixed focal length lenses (eg 24mm, 50mm, 100mm), shoot with manual exposure and perhaps manual focus, and don’t try to make photographs you see other people making.  I have a number of “shooting tips” pages on my site about this subject, many of them about creative approaches.

Lloyd Chamber’s eponymous diglloyd.com website publishes a popular blog and a wide variety of articles and guides geared towards professional and advanced photographers.

Offerings include Zeiss ZF Lenses, Guide to Digital Infrared Photography, and the wide-ranging diglloyd’s Advanced Photography.

His print articles may be found in Photo Techniques magazine, covering important concepts such as diffraction, focus shift, digital infrared, optimizing Photoshop/Lightroom, and more.

Also a computer expert, Lloyd’s Macintosh Performance Guide offers the web’s clearest advice on selecting and configuring a Mac, especially for photographers.

Photographic experience

Lloyd is a longtime photographer, having used a wide variety of film formats and lenses including 35mm, 4X5 view camera, 6X7, 645 and 617.

Having learned darkroom technique in high school and later managed the Stanford darkroom while a student, he’s glad to be working faster and cleaner with digital!

Diglloyd.com is targeted at photographers seeking objective and high-quality information which can be trusted to make buying decisions, to learn or enhance skills, or to find best-practices for a smooth photographic workflow.

New computer models for the week of 06/25/2010

Released this week, 100% compatible memory upgrades for the following systems

Acer Veriton M498G (VM498G-Ui3540C)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 2GB
  • Maximum RAM: 16GB
  • # of Banks: 4
  • # of Sockets: 4
  • Chipset: Intel Core i3

Acer Veriton M498G (VM498G-Ui5650C)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 16GB
  • # of Banks: 4
  • # of Sockets: 4
  • Chipset: Intel Core i5

Acer Veriton Z280G (VZ280G-EA271CP)

  • Speed of RAM: PC2-5300
  • Fixed RAM: 0MB
  • Standard RAM: 2GB
  • Maximum RAM: 2GB
  • # of Banks: 1
  • # of Sockets: 1
  • Chipset: Intel 945GSE

Acer Veriton Z280G (VZ280G-UA270C)

  • Speed of RAM: PC2-5300
  • Fixed RAM: 0MB
  • Standard RAM: 2GB
  • Maximum RAM: 2GB
  • # of Banks: 1
  • # of Sockets: 1
  • Chipset: Intel 945GSE

Apple Mac Mini Intel Series 2.4GHz C2D (MC270LL/A) Mid 2010

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 2GB (1GBx2)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: N/A

Apple Mac Mini Intel Series 2.66GHz C2D (MC438LL/A) Server Mid 2010

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 2GB (1GBx2)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: N/A

Brother HL HL-3040CN

  • Speed of RAM: PC-133
  • Fixed RAM: 32MB
  • Standard RAM: 32MB
  • Maximum RAM: 544MB
  • # of Banks: 1
  • # of Sockets: 1
  • Chipset: N/A

Brother HL HL-4040CDN

  • Speed of RAM: PC-133
  • Fixed RAM: 64MB
  • Standard RAM: 64MB
  • Maximum RAM: 576MB
  • # of Banks: 1
  • # of Sockets: 1
  • Chipset: N/A

Compaq Presario All-In-One Desktop CQ1-1020 All-in-One

  • Speed of RAM: PC2-6400
  • Fixed RAM: 0MB
  • Standard RAM: 1GB
  • Maximum RAM: 4GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Atom D410

Compaq Presario All-In-One Desktop CQ1-1130 All-in-One

  • Speed of RAM: PC2-6400
  • Fixed RAM: 0MB
  • Standard RAM: 2GB
  • Maximum RAM: 4GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Atom D410

Compaq Presario CQ60-214DX

  • Speed of RAM: PC2-5300
  • Fixed RAM: 0MB
  • Standard RAM: 2GB (1GBx2)
  • Maximum RAM: 4GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: N/A

Compaq ProLiant DL380 G7 (583966-001)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 12GB (6X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (583967-001)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 6GB (3X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (583968-001)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (583970-001)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 12GB (6X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (589150-001)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 6GB (3X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (589152-001)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 6GB (3X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (605875-005)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 12GB (6X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (605876-005)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 12GB (6X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (605877-005)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 12GB (6X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Compaq ProLiant DL380 G7 (605878-005)

  • Speed of RAM: PC3-10600
  • Fixed RAM: 0MB
  • Standard RAM: 12GB (6X2GB)
  • Maximum RAM: 192GB
  • # of Banks: 6
  • # of Sockets: 18
  • Chipset: Intel 5600 Series

Dell Inspiron Inspiron 14R

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Core i3, i5

Dell Inspiron Inspiron 15R

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Core i3, i5

Dell Inspiron Inspiron 17R

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Core i3, i5

Gigabyte Gigabyte Motherboards GA-EP45 EXTREME

  • Speed of RAM: PC2-6400
  • Fixed RAM: 0MB
  • Standard RAM: 0MB
  • Maximum RAM: 16GB
  • # of Banks: 4
  • # of Sockets: 4
  • Chipset: Intel P45

HP Compaq Thin Client Series T5740

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 1GB or 2GB
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel GL40

Toshiba Portege R700-S1310

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Core i3 HM57

Toshiba Portege R700-S1320

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Core i5 HM57

Toshiba Portege R700-S1330

  • Speed of RAM: PC3-8500
  • Fixed RAM: 0MB
  • Standard RAM: 4GB (2x2GB)
  • Maximum RAM: 8GB
  • # of Banks: 2
  • # of Sockets: 2
  • Chipset: Intel Core i7 HM57

Ask a Photographer: Paul Dymond

Who or what influenced you to get into photography

I’ve had a few dabbles in photography over the years. As a young boy I used to go bushwalking with my uncle here in Australia and took slides, then I dabbled with it in high school and university but it really became a huge part of my life when I went to Africa for nine months after graduating from university. My parents had bought me an SLR kit with a couple of lenses and I took that and 145 rolls of Kodachrome slide film through Africa. So that was the start of the passion for photography and travel for me. What was supposed to be a gap year before heading off to do my Masters turned into a life’s work.

Where do you get your creative inspiration from?

You know I don’t think anybody really knows where there inspiration comes from. There seems to be this little voice in your head that says ‘photograph that, frame it this way, use that lens’. But in terms of subject matter travel, foreign cultures and beautiful landscapes is really what inspires me to want to capture an image.  When I’m at home I’m really interested in photographing interesting stories and people. I guess the subject of my images always inspires me more than just photography per se. Whilst I love creating images, it’s the telling of the stories and the showing of beautiful places that really inspires me.

What type of camera do you use most and do you prefer digital or film cameras?

I’m pretty much all digital these days. Every so often I get a call to shoot medium format print film but apart from that it’s all digital. I love the convenience of digital but I do kind of miss the days of trepidation where you would put the trannies on the light box for the first time and not really know whether you’d captured the moment or not. There was always that feeling of heart palpitations as you placed them down and then either elation that you’d captured the moment or disappointment when you missed it. The part of digital I love is the ability to shoot a lot of images to get you to the point where you’re shooting great work. Creating art is a process and you need to go through that visual stage of trying to work out what you want to say. With film that was an expensive process and often hard to evaluate your own pictures when it took so long to see the results. The instant feedback of digital means you can work on an image then and there on the spot until you create something you’re really happy with. I’m shooting with Canon digital cameras and I’ve been using Canon ever since my parents bought me that SLR kit for my trip to Africa as a 21 year old.

What is your next planned equipment purchase?

I’m pretty much a minimalist in terms of gear. So I pretty much have all the lenses I need. I guess I’ll upgrade my cameras as time goes by as that seems to be the way the world works these days. One thing I am interested in getting is a set of Radio Poppers but they haven’t released them down here in Australia yet. When they do I think that’ll be my next purchase. I also am using umbrellas (both see-through and reflective) with my Speedlites at the moment but am interested in using small soft boxes as an alternative so I’m looking into getting a couple of those as well.

What do you see as the next evolution in digital photography in terms of trends and new products?

To tell you the truth I don’t really pay too much attention to the trends. I just take it as it comes and concentrate on the making of beautiful pictures. Of course I’m interested when equipment comes out that makes my job easier but I’m not overly invested in it. I guess we’ll see more improvements in high ISO capabilities and dynamic range. And video seems to be a common feature in cameras these days but at this stage of the game I haven’t really thought about incorporating video into what I do. There’s still so much to learn in terms of articulating my photographic vision without having to worry about another medium. The improvements in software is an area that has the potential to help me in my work. The cornerstone of my workflow is a cataloguing software known as Expression Media which has just been bought by PhaseOne so I’m interested in learning what developments will happen there. I’m still not convinced that proficiency in the digital darkroom can save pictures with no vision but they can certainly help you create what you saw in your mind’s eye with a lot more skill and ease.

Could you share a favorite recent image you took and tell us a little about it?


I recently came back from my annual trip to Japan. My wife is Japanese so we usually go back for a month or so every year. It’s mostly a holiday and a chance for my two young boys to catch up with friends and family but I do also get out and photograph quite a bit. This year I had a chance to go to a professional baseball match with some friends. We were in the outfield so shots of the action wasn’t going to happen so I started concentrating on the spectators and goings-on around me. Every five minutes or so a beer seller would come down our row, and seeing as this isn’t something you see in Australia, I was really interested in it. So I tried a few times to get the right framing to have the beer selling kid and a baseball player in the background. I like the way this shot worked and how it tells a bit of a back story about going to the baseball in Japan. A lot of travel photography is more about the little vignettes of life than any big spectacular moments. Pictures that tell a story.

What are you favorite websites or blogs that you frequent?

I have to admit to being a bit of a blog fan. I’ve got them all sorted into my Google Reader and usually spend an hour or so per day catching up on my favourites. For a good laugh you can’t go past What The Duck – the photographer duck who seems to have all the problems we all face every day! Strobist changed my view on the world of flash photography and has led to the ability to do so many jobs that I could never have done when I was a natural light-only photographer. I’m also really enjoying what David duChemin is doing over at Pixelated Image, and the podcasts of Matt Brandon at Digital Trekker and Lensflare 35 are must-listens. My reading tends to focus more on the business and spiritual side of photography rather than the technique. I tend to buy books to learn new pieces of software and read up on techniques I’m interested in.

Any advice or tips for someone wanting to become a photographer or to improve their photography?

In terms of improving your photography I think the best thing you can do is learn to go beyond the technique part. Get to a stage where you instinctively know which lens to reach for, which aperture and shutter speed you want to use to articulate your vision. In other words the technical side should play only a supporting role. You need to be interested in something, know what you want to say about it photographically and then finally have the technical expertise to bring your image to life. But it all means nothing if you don’t have anything to say. Something that moves you and you feel you have to show to other people. It all stems from there. Many photographers feel that their vision starts with their equipment but the gear is just tools and gadgets. They’re worth nothing more than fancy paper weights if you haven’t got a vision of what you want to create.

Making a living in travel photography these days is very different from what it was like when I first started. So if you’re just starting out I would advise you to keep your day job and a regular income while you try and work out how you’re going to make enough money at this to survive. It’s fine to be all gung-ho and live out the Hollywood dream of quitting your job to make it rich as a famous photographer. The reality is that true, long lasting success often comes in the form of small steps. If you haven’t got enough capital to see you through the time it takes you to make those small steps then it’s best to have a separate source of income. Also remember that this is a business. It’s fine to be a fantastic photographer with a refined vision but if you don’t know how to shoot an assignment and make a profit then you won’t be able to feed your photography habit for very long. So make sure you’re making money on every job.

I am a professional travel photographer based in Cairns, in far northern Australia. Over the years I have travelled to more than 55 countries and my pictures have appeared in a weird and wonderful collection of books, magazines and newspapers all around the world. My images are represented by Lonely Planet Images and I have been featured in more than 30 of their guidebooks ranging from Nepal to West Africa, from Tokyo to Thailand and pretty much everywhere in between. I’ve eaten raw fish at the world’s largest fish market in Tokyo, and freshly caught monkey in the forests of Central Africa. I’ve met all sorts of amazing people from camel herders in the Sahara to the Dalai Lama in India. And they call this work? I have an online portfolio at www.dymond.com.au where you can see some of my favourite images taken over the years and I also have a blog at http://pauldymond.blogspot.com where I talk a little about how I do what I do, muse on the spiritual side of the art, rant about the business of travel photography and show some pictures for good measure.

How WIFI Works

WIFI is a wireless networking technology used around the globe. WIFI is an abbreviation for wireless fidelity. It refers to any system that uses the 802.11 standard which was developed by the IEEE and was released in 1997. IEEE stands for the Institute of Electrical and Electronic Engineers. Other ways to spell WIFI are Wifi, wi-fi, or WIFI. WIFI was pushed by the Wi-Fi Alliance. This Alliance is a trade group that has pioneered the commercialization of this technology. WIFI is a great way to get access to the internet.

WIFI uses radio waves to send signals to different devices. The data sent is converted to ones and zeros so that the computer can understand what’s being sent. It uses a higher frequency than the standard radio. WIFI is able to change frequencies in large ranges. To set up a WIFI network you just need to have a sender and a receiver. Usually the sender is a wireless router that hooks up to a modem. The receiver is the wireless network card that goes in your laptop or desktop computer. There are some things that will weaken the strength of the signal such as distance from the router, household furniture, and the thickness of the walls.

WIFI hotspots are locations where wireless technology exists and is available for use. In most cases it is free to connect to these hotspots, but some companies do charge for you to use their wireless hotspots. The most common use for WIFI is laptop users. These hotspots are used in places such as airports, coffee shops, gas stations, truck stops, etc. There are more than 25,000 WIFI zone hotspots available in the world, so finding one should be pretty easy.

To connect to WIFI or a hotspot an account isn’t needed. If your device is WIFI ready it will automatically try to connect to a hotspot available. Also, you should be able to sign up with the provider at the location. Many browsers show instructions when the browser software opens. If you already have an account, just start your computer and make sure that the WIFI card is plugged in. Then simply open your browser.

WIFI and Bluetooth are not the same thing, though many people assume that they are. Bluetooth is under the IEEE protocol 802.15.1, and WIFI is under the IEEE protocol 802.11. WIFI boasts faster data transfer speeds and range. It’s a good replacement for Ethernet systems. Bluetooth requires less power and is more prominent in small appliances like a PDA or smartphone.

Have a question on WIFI?  Ask in the comments below.